The Fingers Pact: Poems
Carpeted flowers
The room had lavender walls. And it smelled like old,
beautiful ruffles, linen, and new history.
The old screened windows could unlatch like the great maws
of long-abused beasts silently roaring their challenges to domestication.
Sunlight streams past the hollow carcasses and
holographic wings of flies
Fatefully drawn to the oxidized stonefruits Their lives hold,
sparkle, and suspend on dusty drifts of
me.
In that room I’ve become dust
and carpet glue.
My hair and my skin have packed into the Coarse fibers of the
carpet Cracked and mirroring my palms. For eleven
years Movement, bent knees, crooked fingers, and defeated flops
Have formed a drag-path
The impression from an overladen bookshelf
Its contents lay Elsewhere.
Just outside packed into boxes Ideas categorized in my heart
Yet another linguistic pile Waiting patiently to disintegrate
And become wings.
No, that room is no longer mine.
But, Now I am the
house.
Annual desert
Summer is whiteout
The minuscule particles of glass beaming back at you
from the top of my head
To the inside of my shoe
In the early days, I didn’t notice
I lived on black tarmac
And green, mossy, pavement
Safe in the shade of the white birch tree
Now everything is white,
And smooth,
uncracked
And warm
No, white hot.
Burning.
White like ashes
Like the top of the mountain
Where last year’s storms melted down
In fevered tears
White like the walls of home
No more brick
No more putrid,
Black, Rotting
Frozen walls;
instead, I am surrounded
By billowing canvas
White, like the soft embrace of
Steamed dumplings and
miles of noodles.
White like orchids huddled in a parking lot
Fallen feathers of an angel's wings
Royalty banished
to live amongst the
string beans,
Dusty grapes,
and stalks of sugar cane.
Summer is:
White like peeling skin.
White, like handwritten letters
White. Like. White.
whiteout is drinking
Glacial melt in a field of sharp
golden grass
A cold so pure, its imprint will remain in the back of my eyelids
And a pain so simple
All set to light ablaze come Sunday
whiteout is when
there will be no more water to drink,
or sand to take,
or stones to rub smooth as perfect water droplets
Someday.
Summer is whiteout because we forget
And we remember
Summer is a blinding haze
We suckle
Till it runs cold-
And dry.
Hang nail
Hey! mr president!
give them back.
I want my words.
I hack
out a hairball:
my heavy heart.
A wet plop.
Another swing.
Freeze at the ankles,
forget how to stand—
This is more important.
give my voice
back.
I wack,
knuckles pop.
A breathing sac
dribbling drops
make only bloody fingerprints
I want them back
what I gave freely
I need to crack—
my own illusion
To claw my way out
to rip them off
to scratch
Inheritance
I walk where sidewalk cracks remember it,
beneath the drone of thousands of voices.
The trees are trimmed in their parts of the town
we get the kind that die before they bloom.
A girl was lost near the corner store.
They said she lied, or ran, or should’ve known.
I leave my keys clenched tightly in my palm,
Each step wears my shoes.
A hope I kissed was buried in the fall
they said “a fight,” though it was one of peace.
I lit a candle. Left it by the tracks, so I could make a blow torch.
The wind, too kind, refused to fan the spark.
mother scrubs her rage out of the grout,
While father and brother lay flaccid, we must feed them
We march with signs the rain will turn to pulp.
And still, we are the protected ones.
I tried to run for office once. I failed.
They liked the voice, but not the words it was.
Too sharp, too soft, too loud, too new, too queer, too different, not mine
they said it should’ve smiled when it refused, and I should have picked the other side.
The garden by the freeway gasps for air.
The ivy coils like hands around my knees.
I grow tomatoes none of us can eat.
The soil remembers older tragedies.
I’m told that patience is a kind of strength.
Yet the clock on the wall is rotting away like my grandparents’ teeth
This house is built on backs and a chipped tooth.
a chandelier that swings, but does not sing.
What can I do, except not look away?
What can I change, except my shade of purple?
Each year I vote, then watch the towers rise,
and write down all the names of all the dead.
And yet, I carry on. I braid my hair,
Two Dutch braids, and I spit on the mirror
I want my voice to drown.
I plant a seed and tell it not to hope,
I keep it tame, but I still can’t cope.
Icarus’s death by his sister, the dot
Perhaps
Those perfections
Proportions of very existence
We seek so fervently day and night
Is simply failure. The only flight
Worth anything at all
Is the final
fall
Barbed wire
A crown of thorns
Circle: A tortuous ecstasy
The whip flies, full of love, of life,
Choices between limitlessness, and children
Man at the center, a transparent room
A glass-bottomed boat in the sea
of our tears. He will drown
Last bubble up
HER first
Dot
Boxed in
To a glittering cage,
Skin peppered with round suffering
the material: cosmic in stillness: women listless
dot — a facade of communal sight,
feeding a system that is
Always, forever – his,
unbroken.
We
Are Marked with
possessing supreme ability
to dream the scythe that drew
blood from the heavens. Four years,
two centers: polka dots, navel,
genitals — Man as cosmos.
Get me a cosmo.
Drown-
We are the dreamers
Without believers
Their gaze
Dribbles down her chin.
Then swoops down, upward, birds flock
blind in power; like Icarus, sketched
in endless circles, the flights built
to fail. The perfect circle,
Empty eye sockets are
HER second
Dot.
Vitruvian
Man, lofty Christ,
A glorious fruit fly trapped
in a self-built dome, of power,
a public heist of generational cycles.
The perfect imposing circle,
The wheels in her mind
HER third
Dot.
Four years
to perfection, a connection
of dots, men who built society
pushed; it all tumbled. Left to
the professionals.
HER fourth
Dot
Vain concept,
no fee, system disintegrated
by the son, yet still his. Hurtling
from the heavens, the perfect circle,
Cyclic backwards, all perfect
The final Dot. . . . .
Chipped Tooth, 2 A.M.
The knowledge hits hard, thundering in my wrist,
mania and sweat ignite the fevered air.
My spine dissolves, another varnish to encyst,
The night is young, why should we care?
Cords tremble-chomp. Stilted humming.
Voice trembling
Tongue, ready and waiting
about to stomp.
Blood is meant for Painting.
We laugh like stilettos on shattered glass,
Voices tangled in a reckless storm.
Each heartbeat drips in the moment’s lash,
The dark must flee for day to form.
crunch.
The night tastes sharp: like gasoline and wine,
I catch the whipping wind– you smell like salt.
The sea is patient; the cliffs, divine,
But now I dance, with the night’s sweltering cry.
Bruxism is steadily taking over
To crash, to burn, this moment’s mine to hold,
Until the flakes fall, and my wrist stops throbbing
then the tears will dance on
Ash or snow–pink or gold
Anonymous
Editor: Bella H., Jessica Z., Tayla S.